Museum on Tour, 13 April 2017: Ropewalks #5 – Bringing heritage and performing arts together
by Victoria Lester, City Explainer
Once upon a time I was an historian, a published historian in fact who became a language assistant who then came back to the UK – back to Plymouth to become unemployed for two years!
But that was once upon a time.
I decided to do something I’d always wanted to do which was work in the performing arts. It hasn’t been easy. Starting down a new career path in my mid-twenties when my confidence was in the dustbin wasn’t something I ever thought I would have to do. Starting a career in an industry where your confidence can sometimes take a beating hasn’t necessarily made it easier – but it has made me more determined.
I enrolled in a BTEC in Performing Arts at City College to test my resolve and now here I am. It’s nearly four years since I decided to go down this route and without the help and support I’ve received from the Barbican Theatre I wouldn’t be here today.
Where’s here? I’m one of the devising actors on the ‘Ropewalks’ walking tours project, working with the Barbican Theatre and staff from the City Council’s Arts and Heritage Service/History Centre to help bring heritage and performing arts together.
It’s been a fascinating experience, working with a large team of actors, directors, writers, costume designers, graphic designers, marketing officers, historical professionals and more to bring a series of theatrical walking tours that will bring the Barbican to life to the people of Plymouth.
I thought I knew the history of Plymouth. I’ve learnt that you can never really know the full history of a place or of a people. You can only know so much and there’s always something new to discover.
Over the last few months, as part of the research and development process we’ve visited the South West Film and Television Archive and the Devonport Naval Heritage Centre – a place I’d only ever heard of. Going there and hearing about the social history of Plymouth alongside the military was fascinating. We heard about:
- the widows of the ropewalk: ladies whose husbands had been killed in the line of duty
- The ever present rivalry between Plymouth and Portsmouth
- the ladies who lived on board ship, and just why someone could be called ‘son of a gun’
- how during the First World War the telegrams from sailors would often come long before official word of a battle having been fought
……….and so much more.
Back in the theatre we’ve been taking extracts from texts, history books and original sources, and considering potential scenarios, characters and pieces that scriptwriter Jon Nash has written. We adapted them and ‘threw them around’ to see what would stick. One thing we realised very early on was that an historical fact or object without a glimpse of the person behind it wasn’t engaging. Put a person behind it though and suddenly it was brought to life.
Among the many things I’ll never forget us doing are:
- six of us being on stage and throwing the history of the Barbican around the room, starting in the prehistoric we bounced the story between us all the way to the present day
- Re-enacting aspects of the Bread Riots – a part of history I’d never heard of! Who doesn’t love a good riot?
- Finding the often contrary voices and characters of the ladies of Plymouth and realising how you actually go about gutting a fish
It’s been a long journey with many a wander through the streets of the Barbican marvelling at the rich and colourful history of this city that deserves to be remembered.
Plymouth is a city that we should be proud of and I am very proud to have been part of the team involved in a project which is combining so many strands to develop a lively new form of theatre that I firmly believe will create an immersive experience for everyone who comes to watch.